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Most well-lit close-ups boast wonderful depth and there is improved shadow definition during the indoor sequences (see screencaptures #4 and 10).
A few more examples are present elsewhere in the film, but they are not as prominent.
Later on, the two meet and make love, but both realize that their lives are heading in completely different directions.
Like her husband, Anna is also a communist but willing to compromise with her beliefs if she must.
Marcello arrives in Paris with the beautiful but nave Giulia (Stefania Sandrelli, The Nymph, Seduced and Abandoned), who is under the assumption that the two will be celebrating their honeymoon.
He quickly arranges to meet the professor, who admits that he does not remember much about him.